June 10, 1973 - Audience fob Dead played the night show - it was a Modal Spectacle Grateful Dead and Allman Brothers Band RFK Stadium - Washington, DC Sunday show - Jer with pigtails

visit the Saturday show

Set 1 Morning Dew Beat It On Down The Line Ramble On Rose Jack Straw Wave That Flag Looks Like Rain Box Of Rain They Love Each Other The Race Is On Row Jimmy El Paso Bird Song Playing In The Band

Set 2 Eyes Of The World -> Stella Blue Big River Here Comes Sunshine Around And Around Dark Star -> He's Gone -> Wharf Rat -> Truckin' Sugar Magnolia

Set 3 jam with Merl Saunders, Dickey Betts, Butch Trucks It Takes A Lot To Laugh It Takes A Train To Cry That's All Right, Mama The Promised Land Not Fade Away -> Goin' Down The Road Feeling Bad -> Drums -> Not Fade Away Johnny B. Goode

Dave Usborne's Matrix for this show on The Archive

etree bit torrent — June 10 transfers by Matt Smith at 24/96
etree bit torrent — June 10 transfers by Matt Smith at 16/44

etree bit torrent — Dave Usborne's Matrix of June 10

Taping Equipment

Sony TC 2850 SD portable stereo cassette recorder


Sony ECM 99 stereo mic

GD's prototype Wall of Sound on June 9, 1973 at RFK Stadium in Washington, DC
stereo PA System - JBL speakers - Alembic cabinets - plus two Auxiliary PA stacks



above photo is from the Sunday show - June 10, 1973

Notes

Source:

-- taped by Monte Barry

-- Sony TC 2850SD portable stereo cassette recorder

-- Sony ECM 99 single-point stereo mic

-- mic is hand-held on mic-stand shaft, with arm raised up

-- FOB center infield, between sbd platform and stage platform



Lineage:

-- transferred by Matt Smith, mastered by Monte Barry



MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 24/96 and 16/44 > TLH > SBEs fixed > CD Tag



-- this is a major upgrade in sound quality

-- replaces Monte's shnid 90351

-- these transfers are fixed up pretty good



patch list:

-- Morning Dew has SBD patch from 07:02.5 until 07:14.2, due to accidental pause/unpause by taper

-- PITB has AUD patch from 05:30.8 until 06:10, due to reel change

-- PITB set-ending announcement has SBD patch

-- Eyes Of The World has AUD patch at start until 14:52.5, due to taper getting stoned during break

-- Big River has AUD patch at start until 00:02.6

-- Around And Around has SBD patch at end from 05:13.9 to 05:41, "We're gonna tune up real good"

-- He's Gone has SBD patch from 14:30.2 to 14:48.2 (ending), due to reel flip

-- Wharf Rat has SBD patch from the start to 00:12.5, due to reel flip

-- That's Alright Mama has SBD patch from 06:11.2 to 08:59.5, due to tape damage

-- GDTRFB has SBD patch from 04:42.3 to 5:05.3, due to reel flip

-- I cleaned up most of the glitches, and I tagged the files



SBD patch Source and Lineage: shnid 90979

transferred by David Hollister and G.S. Hamilton

MR > PCM > cassette > DAT > CD > EAC > SHN



AUD patch Source and Lineage: shnid 89681

taped by Bill Gadsden

(FOB) Unknown Mics > Cassette Master > Reel (1/4 Track - 7.5 ips)

transferred and mastered by Charlie Miller

Reel (Sony TC-366) > Korg MR-1000 > Samplitude Pro 10.02 > FLAC



This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. June 9 was my first time taping. June 10 was a Modal Spectacle. These shows at RFK Stadium were by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound.



Matt Smith did a great job transferring these tapes of mine! Thank you!